1936 SWEET VIOLET BOYS Medley Bar Room Songs Hinky Dinky Parley VOCALION 03281

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Item: 116386111401

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Artist:CLICK RIGHT ARROW > FOR CONDITION,Prairie Ramblers,SWEET VIOLET BOYS
Format:Record
Material:Shellac
Genre:Soundtracks & Musicals
Record Label:Vocalion Records
Record Size:10″
Style:Animation Score/Soundtrack,Chanson,Comedy/Novelty Music,Educational,Field Recording,Film Score/Soundtrack,Interview/Dialogue,Minstrel,Monolog,Music Hall,Musical/Original Cast,Natural Sounds,Poetry,Prayers/Sermons,Radio Play/Show,Schlager,Special Effects,Speech,Stand-Up/Sketch,Storytelling,Vocal,Work Song,Big Band/Swing,Cabaret/Vaudeville,Drama,Political/Conscious,Public Service Announcement,Story,TV Score/Soundtrack
Speed:78 RPM
Release Title:Hinky Dinky Parley Voo – Part 1 / Medley Of Bar-Room Songs
Language:English
Catalog Number:03281

Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the “ADD TO CART” button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola RecordsMore great Jazz and Vocal Records in my other listings! Two great Country Music pieces by The Prairie Ramblers here as the Sweet Violet Boys Hinky Dinky Parley Voo – Part 1 / Medley Of Bar-Room SongsLabel: Vocalion (2) – 03281Released: 1936Style: CountryA Hinky Dinky Parley Voo – Part 1Written-By – Trebor-Rellim*Medley Of Bar-Room Songs B1a Hail, Hail, The Gang’s All Here! B1b For He’s A Jolly Good Fellow B1c Ach, Du Lieber Augustine B1d Sweet Adeline B1e We Won’t Go Home Until Morning CreditsClarinet [Uncredited], Vocals [Uncredited] – Bill ThallDouble Bass [Uncredited] – Jack Taylor (4)Fiddle [Uncredited] – Tex AtchisonGuitar [Uncredited] – Salty HolmesMandola [Uncredited] – Chick HurtPiano [Uncredited] – John Brown (41)NotesMade in U.S.A.Orig Issue Vocalion 10″ 78 rpm CONDITION: VERY GOOD rubs and fine scratches throughout, plays VG++ very quiet light crackleA GREAT COPYThese recordings were in fact by The Prairie Ramblers, recording incognito under the Sweet Violet Boys pseudonym, allowing them to stray into more risqué and jazzy territory (the wholesome Prairie Ramblers would not have got away with “Let’s all get good and drunk” on their weekly National Barn Dance shows!). 23 rare tracks from 1935/41, plenty of fun and humor – and fine musicianship!Especially with the presence of the word “ramblers” in the name, this group which originated in Kentucky may seem on the surface like just another old-time music or traditional country band. But judging from the group’s versatility and the number of different genres they were comfortable with, the Prairie Ramblers have more in common with groundbreaking music groups such as the Beatles. One of the group’s recordings featuring its female vocalist Patsy Montana was the first record by a female country artist to sell a million copies, so hit-parade gold dust was hardly out of this band’s reach. The Prairie Ramblers were originally formed as the Kentucky Ramblers by mandolinist Charles Chick Hurt, and “Happy” Jack Taylor, who played both bass and tenor banjo. Both men hailed from the Summershade area near Glasgow, KY. Relocating to Illinois, the two wound up collaborating with another pair of Kentucky players. These were fiddler and lead vocalist Tex Atchison, and Floyd “Salty” Holmes, a multi-instrumentalist who beside his spicy nickname was also known as the “maestro of the harmonica.” The group began working together at the outset of the ’30s and within a few years had made their radio debut on WOC out of Davenport, IA. Later, in 1932, the group moved to WLS Chicago, a station that would make country music history with innovative programs such as Merry Go-Round and National Barn Dance.As good as these players were, it was joining forces with Patsy Montana the following year that made the band really click. Born Rubye Blevins, the country gal was on-hand for the first set of Prairie Ramblers recordings, done for RCA-Victor’s Bluebird label at the end of that year. The public’s growing interest in cowboy songs and music had led to the name change; apparently, the prairie was more associated with cowboys than the state of Kentucky. After a six-month hiatus on New York City radio, the group returned to WLS with a new focus on both pop-styled cowboy songs and swing music. The cowboy image began to dominate the group’s appearance, the players appearing at venues on horseback and Western dress, even rustling up Gene Autry’s “Ridin’ Down the Canyon” as a signature tune. The group made history in one clear-cut way, providing Montana with the chance to score a million-selling record, “I Want to Be a Cowboy’s Sweetheart.” The band signed with ARC Records and by the end of 1936 had already cut more than 100 sides. The repertoire just kept getting broader, including gospel numbers, cowboy songs, mountain music, Western swing, and comedy.Just like many sanctified artists who recorded scandalous pop music under other names, the Prairie Ramblers recorded several somewhat off-color incognito songs. The group even went to the trouble of trying to change its overall sound for this material, adding clarinetist and vocalist Bill Thawl for tracks recorded under the name of the Sweet Violet Boys. Apparently it wasn’t much of a secret who the band was, but pianist Bob Miller, who had begun playing on some of the Prairie Rambler recordings, published the risqué numbers he had composed under the pseudonym of Trebor Rellim, again not such a sophisticated cover-up. The songs he was trying to keep his name off included “There’s a Man Who Comes to Our House Every Single Day (Poppa Comes Home and the Man Goes Away)” and “I Love My Fruit,” thought to be the first gay hillbilly song. Apparently Patsy Montana was allowed to leave the studio during these sessions rather than be scandalized. Atchison and Holmes rambled right out of the group in 1938, replaced by fiddler Alan Crockett and guitarist/vocalist Kenneth Houchens. In the early ’40s, the band added in the accordion of Augie Kline and beefed up the sound further with the electric-guitar stylings of George Barnes. In 1941, something happened that just about anyone following the band might have predicted: Montana left to pursue her solo career.The Prairie Ramblers appeared in several Hollywood Western films, first through their connection with Gene Autry and later with cowboy singer Rex Allen. Both artists utilized the group for accompaniment on recording sessions. The final recordings by the Prairie Ramblers were done for Mercury at the end of 1947, and followers of the band tend to find this material to be somewhat generic. In the group’s repertoire around the time of its breakup was a tune entitled “You Ain’t Got No Hillbilly Anymore,” which was probably a sad fact of life for these musicians. Hurt and Taylor worked as a duo around Chicago area before retiring. More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS – VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don’t give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.”EXCEPTIONALLY QUIET” is close to noiseless, like a vinyl pressing.”VERY QUIET” is an above average quiet record for a given pressing.”Quiet” is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don’t like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit’s eCommerce Solution

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